"George Lucas Says He's Retiring."

George Lucas has announced that he is retiring.

Retiring from what?

"I am retiring from golf and scuba diving and the cocktail hour and thumb-twiddling and also from orchestrating pointless, mindless, endless orgies. I am going to take up the cello."

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Maybe George Lucas should retire from trimming his beard in his wonted eccentric style. The combination of the fat multiple chins with that precisely-kept beard creates a dispiriting effect.

"Other People's Favourite TV Shows."

I was watching an old episode of Parking Wars as I ate my lunch. It was an episode I'd seen before but that's okay because Parking Wars rewards the repeat viewer. It's like re-reading Herman Melville.

In the commercial break they had an advert for CSI Miami on DVD.

I thought, "Hard to believe some people sit around like schmucks watching old episodes of CSI Miami -- and yet they do!"

It is quite incredible what people sit around watching on TV after hours.

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Speaking of Parking Wars, I asked wife last night, "What do you think the lyrics are to the Parking Wars theme song?" It's an unusual choice for a theme song, but a good one.

I think the lyrics are, "That ain't gonna make it right / That ain't gonna make it all right / That ain't gonna make it all right now." These are the sum of the lyrics.  It is also the only song I can think of that manages to credibly incorporate a "large van or truck-reversing" alarm into the music itself.

The new episodes of Parking Wars have mysteriously moved away from Philadelphia and are now featuring scenes in Staten Island and the Bronx.

The guy from the Bronx who drives a tow-truck that removes cars from private car parks. He said: "Dis tha hood so people think they can park where they like. They wrong today."

He stopped off at his toddler's pre-school and went over to peer into the playground to look for his son. When his son scrambled over, dad started baby-talking at him, "You gonna play Playstation tonight?, gonna play Batman Lego tonight?" He kissed his son through the mesh fencing. Then he turned away and said to the camera cold-blooded: "Next generation of car-towing right there."

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Cody on Chef Race: "I am literally walking into a lion's den."

Another episode Cody became tearful and said to his team-mates: "I'm really impressed. Right now you

guys have got so much respect for me." 

Fast And Expensive Comments

Last night, on Person of Interest, John Rees dispatched the perp by driving his car into the guy's SUV & knocking it into him.

On Jeopardy, the two new contestants were named Walkenhorst and Lowmaster. Both females. The blonde woman who had dominated for the last week was toppled from her throne. There wasn't anything offensive about her per se, but I was greatly relieved that she was deposed. She seemed to get cockier every day in her little interviews with Alex, after the first break. She was getting to sort of like being on the television. She was kind of adapting horribly to it. Alex, of course, hates it when the contestants try to outshine him and he jealously, peevishly squashes their repartee when it sprouts. He tries to kill their jokes in the very act of birth. It's in his professional interest for the contestants to be stammering dullards with nothing worth saying. Usually they are. So he was happy to see the blonde go too I think.

Lowmaster won. How her reign shall be remembered by future generations, we cannot say.

On Life After Top Chef Mike Isabella shows up each week even though he is not one of the four featured chefs. I presume he was "put out" that he wasn't invited to be one of the featured chefs, so he furiously contrives to turn up at the filming of every episode as if by happenstance, and perfectly naturally wanders into shot.
This week he happened to turn up at Spike Mendelsohn's place on his moped while the cameras were there. "Oh, are you filming? I'll come back. I can go. You want me to stay? Okay I'll stay."
By the way, the title to this show must be ironic, because the overriding message behind this show is that there is no life after Top Chef. These fuckers are just diddling about while life goes past!
One day they'll be dead!

Idea for TV Show. Colicchio Versus Colameco: Who'd Win.

The pitch: "Who'd win in the crude, ugly slugfest that would obviously ensue when these two eminent chefs met."

On Chef Race: UK Versus US   Johnnie Mountain continues his inevitable apotheosis into Walter White.

Incidentally, did I not make the point several months ago that Mitt Romney looks like Don Draper? "Katty Kay" made the same point, belatedly, on Charlie Rose the other night, after the debate. I wish you could copyright little super-recognitions like that. There must be a way to make money out of super-recognition but I haven't figured it out yet if there is.

Boring Comics. Anything with the Savage Land or the Shi'Ar in it. That is to say, the X-Men. When Sauron (half-man, half-pteranosaur) flies into the shot it is time for us to retire discreetly. When the Starjammers come running dynamically into a room pointing their ray-guns (as they invariably do) it is time to respectfully retire from that same room -- by a different door -- methinks.

I was re-reading some old issues of Uncanny X-Men from about 1990 and you could almost see, as if  in "real time," the collapse and utter demise of Chris Claremont's writing style into incoherence. It's shocking to behold. He developed this sort of be-bopping free-association stream-of-consciousness that was alarming to the sensitive reader. By the end of his run, when I presume he was forcibly removed from the Marvel offices, he was writing sheer gibberish, talking in tongues. Like Pound with the so-called "China Cantos."

I was listening to Bonny Prince Billy's last album the other day, Wolfroy Goes to Town, hearing it meander blandly into little pockets of awfulness, and I remember thinking, "He's another one." Like Emerson to the Sphinx.

Also boring, the Wolverine story, "Weapon X." What actually happens in this story? It's a protracted surgical procedure with, so far as I can tell, bickering staff. I'd as lief watch Grey's Anatomy.

"Chef Races Are Here, Who Will Join?"... "Snoopy Tennis"... "Unused Jokers"

"Chef Races Are Here, Who Will Join?"

BBC America has graced us with an "exclusive" show that is on here before it is on in England (or at the same time) (or it ain't even on in England). The program is Chef Race. It has two magic words in it. "Chef" and "Race". How can a TV show with these two words in it fail?

Hard to say -- but they are doing their level best to test the question.

One character on it is Rebecca. Her infectious catchphrase that she says with conviction and undaunted regularity is this: "My name's Rebecca and I'm nineteen years old. There's so many people that fink I'm nineteen and I don't know what I'm doing."
They "fink" she is nineteen -- and they are apparently right.
She is nineteen.

Another character is Johnnie Mountain who you might remember disgraced himself so manfully on The Great British Menu. He has distinguished himself as a madman here already. He seems to be delicately balanced and yet he has thrown himself wholesale into this crass, crude scramble across the United States. I wonder why they don't call it "Authentic Meltdown of a Madman" instead. I wonder why they don't call it "Egg and Spoon Race Across This Fine Republic Of Ours Where The Egg Is a Man And His Head Is Going To Get Hard-Boiled and Cracked Quite Asunder." Suppose Mister MOUNTAIN aims to out-Gordon Gordon in this, the country where Gordon is on television almost constantly.

When Gordon is not on TV it is only because Top Gear or Doctor Who is on instead.

Doctor Who, or as I know it, What The Fuck?

I have known two men in my travels who actually wrote Doctor Who novels. Neither man impressed me with their, let us say, Goethe-like genius.

I must point out that I am not tediously following British reality shows from New York.  I am not yet quite that pathetic. I saw Great British Menu while I was in England earlier this year.

(Incidentally read an online review of this show where the reviewer explained his sole reason for watching the show: "It's on after Eggheads and I watch Eggheads while I have tea. Dreadful admission I know." This says more about the British psyche than perhaps any single sentence yet written.)

Nevertheless there is a peculiar specimen of humanoid in the world that indeed does do this strange thing -- following foreign reality shows by tedious often illegal means. People watch TV shows from across the world (or indeed they don't even watch them, just "follow" and "like" them) and enter into heated discussions of those shows with pen-pals abroad in "chatroom threads".

I was looking online to see what the vox populi said about Gallery Girls one time and I was astonished to find, among the hundreds of vituperative statements calling for the destruction by hanging of the odious CHANTAL CHADWICK, people from Australia were pitching in saying "I haven't actually seen the show but I know the type and I hate them. We have them in the Bungle Bungles too." A mad world, my masters, when people take the time out of their day to pitch in on a television program they haven't even seen.

Similarly there are people from all over the world pitching in their "two penn'orth" on the minutiae of The Amazing Race -- and they live in the unsullied magnificence of rural England. Nevertheless they seem to love to be accepted in the worldwide community.

These people are unusual and unwell and should go far.
_________________________________________

"Words With Friends" -- or as I know it, "Mind-Games Against My Enemies."

"Vicious, Conniving Machinations In Abject Opposition to My Foemen"

__________________________________________

"Snoopy Tennis"

After the Paralympics ("The Paranormal Laff-A-Lympics") ("Paranoid Olympics"), what is to follow from the English, those champions of the challenged? The English have enjoyed expressing their benevolence as a nation and they don't want to let up now the "Games" are done with. Perhaps now can come a contest between middling and indifferent sportsmen and women. Perhaps I can humbly throw my hat in the ring and enter the Games.
 
I would like to play Olympic tennis please.
My tennis "game" is poor, even abhorrent, but I want to play Olympic tennis.
Can I please do it.

After this, what.
A sexual tournament in which unpleasant, unattractive men are allowed by the beneficent English public to get laid, with the beautiful women of their choice. The English after all love to be seen to cheer on those who have been shall we say compromised by the Fates who in their cruelty are said to be undaunted.

It's funny because it is said that I grew up in this country England and in my day I don't quite remember it being that way.
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"Latest Annoying Trend"

I have noticed recently a worrying trend in etiquette. People are ostentatiously being thankful and humble by  clasping their hands together as if in prayer and waving the praying hands up and down to denote gratitude, heads lowered the while.

I saw cheftestants on Top Chef Masters doing it a lot. Then when GUS FRENG from Breaking Bad was on the Emmys he did it and in an instant ruined a stellar career. (He has only compounded this loathsome gesture and this headlong decline by appearing in the risible new show Revolution). Designers are doing it on the catwalk ("A Comeback Jil Sander's Way," New York Times, 27 September 2012).

Reading it semiotically, it looks as if they are saying "Like me. Accept me in your inner heart as a benevolent person. Let me goe through the tabernacle of your Christianly inner sanctum as an one untrammeled. I love the Paralymoics [sic] and flashmobs and I am humble. Please 'like' and 'follow' me in all my banal misadventures."

This is a new generation for whom Facebook and Twitter are de rigeur -- my generation I regretfully suppose -- and for whom it is perfectly natural and not in the least bit pathetic to actually plead with strangers (or whole communities) to like them. People are concerned with being above all well-liked. They beg: "Like me. Be nice to me. Please don't hit me."

That will be the next thing you can do in social networking. Click a button that says "Please don't hurt me."

"Don't be mean to me."
"Honour my frailties and let me bide in my shortcomings on this day called the Feast of St. Crispian."

FOOLS THEY MAKE ME LIKE TO LAUGH. I for my part have four "followers" and I am quite confident that not one of those four is actually "following" a blessed thing I say.

Me neither.

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"Unused Jokers"

A humiliating feature of the host site to this mess ("Blogger") is that it allows me to see the statistics of this weblog. That is, to gauge in ungentle figures just how well-liked I am. Vexing. Humiliating. How many people have looked at which entry. Demoralizing. I feel like the characters on Market Warriors: why don't the public (-- like the uncultured, cheap attendees at an auction in Columbus, Ohio --) appreciate the deserving squibs? Why do so many people read that one entry about Storage Wars which is read by the hundreds? Why are certain Dog the Bounty Hunter entries so popular when others are completely neglected? And why does that flip entry about Sleepy Eyes of Death fare so well?

I shall say nothing here of the poverty of the online criticism of chanbara jidai-geki.

Nobody has looked at the following entries -- or only one or two people, which is pathetic when you see that I ostensibly have a full four people "following" my feuilletons.

FINDINGS OF THE ACADEMY FOR THE ACADEMIC YEAR 2012-2013. The texts listed below are underrated and need reevaluation ("reinvigoration") by future scholars. Get 'em while you can because I might just remove them and ritually delete them in a childish purple snit:

"Mysterious Can" (2 September)
"Alain De Boton is Not James Franco" (2 September)
"Stay-At-Home Moms -- And Corpse Mutilation" (30 July)
"Samberg" (30 July)
"Twelve Against Thebes" (25 July)
"Knee Jerk" (15 August 2010).

__________________

My new single album. To be sung in the inimitable style of Lou Barlow:

"I Am Not Going to Share My Mac and Cheese With You."

_________________________

"TV Show Review -- Including a Good Insult To One's Wife"

Wife and I were watching the new crop of shows, trying them out. This required Christianly good patience and right Christly tolerance hitherto unseen. But you see I went among ye as a penitent this day. I had been wrong before; I had written off Hell On Wheels prematurely after seeing one episode of the first season only to discover that the second season was a beaut. So as penance I was trying out the new shows Vegas and Revolution.

Vegas is silly and fatuous and poor but it's okay viewing. "I'd watch it if it was on after Eggheads." Vic Mackey is back, playing himself. (Who else can he play, after all? Hamlet?!) Vic is not convincing as an Italian-American gangster however, which is somewhat regrettable because that's what he is meant to be in this program. Almost as poor as -- well -- almost as poor as casting poor Steve Buscemi as a cut-throat gangster kingpin!

Revolution, meanwhile, is ill-conceived post-apocalyptic cobblers and simply can't be done. The actors are generic (Gus Freng excepted) and the story is cribbed from any number of Marvel or DC titles (Kamandi... Hex...) and from David Mamet's Wilson (id est, my own favourite fantasy: that the internet would crash and the power go out and never be regained.) If this show makes it to the end of the first season without its being pulled, then Pan-Am was Shakespearean must-watch teevee. I was watching it in misery with wife. I said "It's so bad it's revolutionary."

I was perversely insisting on seeing it through to its natural terminus.
Wife goes, "Come on, turn it off. It's an insult to your intelligence."
I shot back, "It's so bad it's an insult to your intelligence."

"Werner Herzog Comes Through."

We went back to the scene of our last auto-da-fe, Bryant Park, to once again witness Werner Herzog in fevered conversation with an unknown property, this time a so-called geographer and artist name of Trevor Paglen.

I'd been in the library since before two, working in the Jewish Division. It was freezing in there, since they had the AC cranked up high as it'd go. I emerged into what was probably a balmy evening shivering. Met wife on the steps -- in fact, by the lion who is called "Patience" - and shrilly remarked "Christ - let's go to H&M and buy a jumper."

We went to get a seat in Bryant Park for this free event "under the stars" and there were no good seats close to the stage, although there was everywhere evidence of that dastardly practice of seat saving.

Here is a sight of humanity as it really is rather than how it loves to think it is; craven , vicious, sneaking, conniving. In a word: seat-saving. It is like this when you alight on a bus and everybody it seems is sat on the aisle seat, jealously keeping the window seat vacant. And these are nominally "grown adults". There used to be one bloke on the coach to college, the Wallingford to Henley route,  who did this every morning . We made fun of him.

This day I got in protracted arguments with two people on the subject of seat-saving. I said, "It can't be done." They said, "It can. It is." My first combatant was a leering, jaundiced-looking Spanish female to whom I said, "You cannot save seats in these United States. This land is your land; this land is my land. From California to the New York islands. From the redwood forests--"  She laid out across the seats and defied me to move her. She was full of Zuccotti Park green bile and defiance. I had a great urge to tip her off the seat. She would have me call the police. Shouldn't leave unless it were in chains. I said I would find a friendly gendarme presently and went off, fuming, looking for a higher authority with whom to plead my case.

In Bryant Park you might as well plead with the granite face of the squatting statue of Gertrude Stein for all the good it'll do you.

I shall say little of this undignified to and fro that after all diminishes me.  I got into a further, more protracted ruck with a liberal-arts wealthy hip grandmother-type, Blythe Danner with a colourless pencil-line moustache and bobby-soxer's pony-tail, who was sitting with pursed lips (sucking pensively on her bleached moustache) tapping away at her laptop as I berated her. Pretending to ignore me as I hectored her, sounding for all the world like my father.

"I almost hate to interrupt your blogging," I said. "It seems a genuine shame. It's a loss to the Western Canon. But I know you," I said. "I know you of old." (I resisted the urge here to sing "You Jack of Diamonds") "I say that I know you and I do. You pledge faithfully to NPR and Channel Thirteen. It's sort of a principle with you. You subscribe to the New Yorker and you are a regular at the 92nd Street Y. You simply cannot wait to see Zadie Smith in conversation with Chris Ware. You really are the life-blood of the arts in New York City, and I say that without exaggeration." I don't think I could have been much crueler if I tried (short of mentioning her moustache.)  I saw that I was nevertheless veering off my subject by broadening the critique somewhat.  I ended up perching like a leprechaun on top of the paperback that she had pedantically laid down to save the seat. I said, "There I have sat on your little paperback; now what for us, you and I, grandmother?"

Ha. It all worked out because the person she was saving the seat for phoned her even while I was sitting on the book that stood in so manfully for that person, and said they couldn't make it. There is a moral lesson embedded in this somewhere but it escapes me.

After a while of that gig-goer's delight, the sight of roadies bumbling about the stage while the pre-show tape blares loudly (this time playing Harry Smith-style old-timey backwater plunder), and after an award-winning female poet suffered us to sit through her humdrum Weltanschauung, Trevor Paglen mounted the stage and explained to us with humility and brio and unctuous charm how he was sending a sort of platinum-plated Viewmaster reel of photos up into the satellite ring around the earth, where it is supposed it will represent the Earth's culture to anybody who chances upon it for the rest of eternity.

It was interesting, if inevitably rather willfully Quixotic, but then Werner Herzog loped onto stage and disabused this man Trevor of all confidence he might have ever had in his project.

"Treffor, I don't believe in it," he rumbled, seconds after beginning. "It will never be discovered by aliens." With Teutonic logic he quite briskly proved conclusively that Trevor's project, years in the making, was folly. "It would take a spacecraft from the nearest galaxy hondreds of thousandts hoff yeahrs to penetrate our solar system; they would have to have generation after generation continuing the flight through space, inbreeding each time to produce a new generation of idiots..."

It was a convincing argument, even if I was meekly thinking (a keen reader of Fantastic Four comics) "What if the aliens can teleport by the use of an elementary wormhole?" (Herzog dealt with wormholes later.)



Herzog was on form. I was chary, not only after my last set-to with him at the Library (see previous post), but also having recently seen the extras on the Grizzly Man DVD which includes a deadly-dull documentary about the making of the film's soundtrack, which has such exciting figures as Richard Thompson, Henry Kaiser and Jim O'Rourke twiddling and noodling in a studio.

We see Herzog "sitting in" on the session, getting all sentimental over the female cello player. It even has Herzog wishing aloud that he could play the cello: "I vould giff ten years off my life to master the cello."

"Has this man never read Turgenev's Fathers and Sons?" I thought, in which excellent novel the nihilist Bazarov sneers at "a paterfamilias learning the cello."

On this evening in Bryant Park, however, Herzog was in a refreshingly pithy frame of mind. 

They were having problems with the microphones. As much as they talked, street hubbub from the restaurant nearby and the streets beyond us kept carrying on to the microphones. Herzog had a microphone on his lapel which he could only be heard on if he held his lapel up and lowered his head to it. Moderator Paul Holdengräber kept fretting about Werner's microphone, but Herzog was pithy about it. "I am fine in this strange position, Paul."

After freewheeling through an array of whimsical images that said next to nothing about life on this planet they showed a slide of a Paul Klee daub of an angel which had been ridiculously over-interpreted in purple prose by Walter Benjamin. When Herzog quite rightly laughed savagely at the Benjamin paean ( -- such laughter a blasphemy in Old New York --), the moderator, Paul Holdengräber, blurted out with weird animation that he had spent ten years of his life in the study of Walter Benjamin and his works, during which years he was an active participant in a menage a trois.

I couldn't see the relevance of this unprovoked revelation at all. 

Didn't want to picture the squalor in my young mind. 

Indeed, the audience could be heard to recoil as one, at this unnecessary nugget of "T.M.I.". 

The audience could be heard to think it would be a very good thing if the future alien visitors (but they can never exist!) are spared this particular piece of information about the sex life of  "The Libertine Holdengräber".

Then it was, I think, that we all thought as one: "Isn't it time for this night beneath the stars to pack up and go home? Isn't it time for the stars to go out and the universe to discreetly end?"

On the way home my wife said to me, "Do you think the menage a trois was with two men or two women?"
I said, "I think it was him, the cat and a houseplant."

"Righteous Chagrin of the Market Warriors"; Or, "Miller Gaffney Is Unimpressed."

Of all the colourless range of emotions visible everywhere on the many-headed Hydra that is the TEE-VEE, the one perhaps least often evidenced is that of chagrin. This is too refined, too classical, too ubi sunt a feeling for the age.

Shall we see Bruce Jenner or Kim Kardashian look back in sorrowful chagrin before "our" cameras any time soon? Shall we see that ruefulness, that bitter yet intelligent regret pass across the faces of the conniving characters on Gallery Girls? No, chagrin, neo-classical regret and ruefulness are antithetical to the usual crop of reality-teevee shows, whether they are documentary in intent or competitive. Even when the characters on The Amazing Race lose out on the million dollars, when they are cheated and betrayed and fucked over and humiliated at a "detour",  they do not show chagrin. They froth and they seethe and rally their online offensives.

I saw some rare chagrin once on an episode of Dog the Bounty Hunter, when Dog was saying "I have fathered lo these my many children and God said it was right good and I have had to me in my times all these sons, and verily God took me down a notch or several." He was regretting, in Biblical tones, the loss of several of his children.

Dog is a bit like a nineteenth-century rural minister, or even a Colonial type, the Cotton Mather sort for whom the loss of six or seven of your children is simply the norm. That said, Dog's chagrin was sentimental in root, and it inevitably tipped over into broad bathos almost as quickly as it materialised.

An intellectual chagrin, however, of the type expressed by the last cultured denizens of a ransacked culture, I rarely see. This is funny, because the present culture is pretty fucking ransacked! However, on last night's episode of Market Warriors, there was a beautiful and quite stunning record of the culture in pieces and of a modest yet elevated coterie among the ruins, staring gloomily and in awe at the shards about them.

"These my fragments which I have shored against my ruin..."

Market Warriors is a superior (in both senses) reality show along the lines of Storage Wars. You will note the passing resemblance in the titles even. However while Storage Wars in its title and its outlook emphasises the wars themselves, the crude bellicosity, the skirmishing and the cutthroat machinating, the whirr of the axe, the musick of the cudgel, Market Warriors places a more humanistic emphasis on the Warriors themselves -- the mortal participants. It is not a paean to the slavering and unsophisticated god of War.

Perhaps that's cock and bull. Rather, Market Warriors is on Channel Thirteen, and so naturally has a more refined air and tenor. As my mother-in-law said when I naively asked her if she watches Storage Wars, "My dear dear man, I watch Antiques Roadshow. Pass me my snuffbox for I fain would lie doon." It is the difference between the Jacksonian log cabin and the hard cider misspelt Davy Crockett culture and the precious, patrician, John Harvard book-larnt culture of John Quincy Adams.

Market Warriors is made by the same artisanal yeoman-philosopher craftsmen that fashioned the U.S. version of the Antiques Roadshow and so naturally accommodates and indulges the genteel sensiibilities and sensitivities of those patricians who prefer that show. It also features [Antiques Roadshow compere] Mark Walberg as the disembodied voice narrating the goings-on, and in this capacity he gets off some real zingers. I mean boy. His sarcasm, as a disembodied voice, is remarkable to behold. It's as though because he is not visible he can be more cutting and droll than he would be if visible in the throng of an antiques show.

I should note, for foreign readers, that the Mark Walberg I refer to is not the similar-soundingly-named Hollywood film star and former purveyor of white rap Wahlberg, but another man of, incredibly, virtually the same name.

How can such things be?
You'll believe a man can fly.
"Which was the lie?"
And--
"Does the race of man love a lord?"

Mark Walberg nearly made the leap from Channel Thirteen to prime-time teevee ("the very eye of history") a few years back in a show based around members of the public confessing tawdry secrets on live TV to the horror and bemusement of their loved ones. It was a miserable sight to see him crudely whoring for the prime-time greenback. Walberg had betrayed the cause of intellectual television in pursuit of the Hollywood dollar. It was like seeing Thomas Jefferson splayed out in a low bawdy-house. It backfired on him quite badly and the show was cancelled even in these savage times for being too much the inhumane Grand Guignol. Walberg returned, whupped and chastised and neutered and humbled and reformed to the Antiques Roadshow. Yet the disembodied Walberg we hear on Market Warriors happily retains some of that tart, barbed, annihilating negative energy that characterised him on his axed cage-match-hell-show.

To return to my first subject, which was that emotion seen so rarely on teevee (since it involves reflection and regret and quiet sadness and after all intelligence and remorse and humility), chagrin. On Market Warriors the same four characters go around an antique show or flea market or a bazaar and they have a set time and a set "purse" to acquire objects from the fayre. These, the distinguished objects eventually chosen according to the application of the contestants' superior experience and their celebrated breeding, are then auctioned off in another State. The profit, or the loss, is counted up and the winners derived from this totting-up.

Every episode I have seen of this show involves the contestants making massive losses. They pay too much in the first antique shop or flea market and then at the auction (in Cleveland, or Cincinnatti, or Madison Wisconsin) their refined tastes are as unto so many pearls before swine as the ignorant pigs of these rural towns bid mere pennies for they know not what. These grubbing swine are the likes of Mark on Baggage Battles or that swaggering, scrabbling grubber Dave on Storage Wars.  They are the profiters from chaos. They are the riverboatmen on the Styx. They shall prevail as the old men with delicate manners go down, swept under. 

It's a real barbarians-at-the-gate scenario, and it was pronounced this week. They bought in Old Mass and they sold in Ohio. They did fucking poorly. The four contestants are seen in the attached images with this very weblog so you can behold that what I say is verily true. I laughed to see them. There was nothing for them to say; they had complained on previous episodes about the crassness and the obliviousness of the auction attendees. There was no point in repeating themselves. All they could do now was to sit with these unfeigned expressions of despair and wait for Death to come  -- as it will.

I have never seen such expressions on television ever. They are so pure and unadulterated! The soul is still alive and well and can be seen in the faces of these well-named warriors.

I can't help but love and sympathise with these faces. I spend much of my day with the same expression on my face, and not just when I am trying to sell off some books or CDs or comic books and getting fuck all for them from ignoramuses. The misery of the Market Warriors wasn't just that they had lost -- the money, after all, wasn't even theirs -- nor was it even at the repeated public loss of face they have undergone in the course of this well-meaning program. Their horror and chagrin is, finally, at the decline of a civilization entire.

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One funny thing on a recent episode of Market Warriors, which I have to recall, was when the one character - the so-called "Professor," John Bruno - was walking through an antiques fair and he saw one dealer, with a long white beard, and said, "Hey guy" or something to him. The dealer responded with amazing wistfulness, "John... it's me..."

John Bruno looked closer at the man and recognised, through the cruel masque of reduced circumstances and that rude veil of hoary aging, an old and well-loved old bondsman. He said, in unfeigned shock and horror and yet tenderness too I believe, yes I believe there was tenderness in it, "My God... how long's it been..." or words like those.

Again, as above, here were real human exchanges and emotions usually too raw and vivid for the televsion to see or allow. Again, at the sheer candour of the showing of the raw human nerve system, I laughed out loud in delight and regret.

This was from a Yelp review of Da Kine Bail Bonds Company. I don't know whether it is authentic but it sounds it. After all wouldn't you shoot some dude in the face if he stole your purple drank... brah...? 

I did not have a good bail bonds exp. with this company. I am not sure if they are only worried about their tv show, and not their customers but this seemed to be the case.
I had to bail my mother out of jail because she shot some dude in the face for stealing her purple drank.
Worst interest rates eva
How bout that one, brah?